The 7 Most Divisive Palme d’Or Winners: ‘Wild at Heart,’ ‘Titane,’ and More
You only have to take a quick look at a ranking of the Palme d’Or winners to recognize that the winners circle for the prize ...
‘Motel Destino’ Review: Sex and Nihilism All the Time in Karim Aïnouz’s Neon Collision of ‘Crash’ and ‘Body Heat’
Karim Ainouz speaks noir and melodrama with a Brazilian accent with this lurid sexually graphic thriller set in love motel.
Pedro Pascal Finds Paradise in Outrageous Corona Ad Directed by Craig Gillespie – Watch
“I, Tonya” filmmaker Craig Gillespie directs the outrageous short film that captures Pascal wandering through bars, restaurants, and town centers as sand, flora, and fauna beckon him back to the beach ...
Diarra Kilpatrick on ‘Diarra from Detroit,’ Soderbergh Influences, and Why Multihyphenates Matter in TV
Diarra Kilpatrick on how 'Diarra from Detroit' began, the secret to its success, and what it took to get Phylicia Rashad.
Join Us for a Paramount+ Consider This FYC Event with Creatives from ‘Frasier,’ ‘Star Trek,’ ‘Bass Reeves,’ and More
IndieWire and Paramount+ announce a June 8 Consider This FYC event to take place in L.A. featuring Kelsey Grammer, David ...
‘Filmlovers!’ Review: Arnaud Desplechin’s Hybrid Essay Film Explores His Abiding Love of Cinema
Cannes: The post-New Wave French director revives his loose avatar Paul Dedalus to examine the beauty of spectatorship.
Hot Docs Temporarily Closes Theater and Announces Layoffs Amid ‘Urgent Financial Challenges’
The Toronto-based documentary film festival Hot Docs is temporarily closing its theater and announcing layoffs amid 'urgent ...
Watch Quinta Brunson and the ‘Abbott Elementary’ Team Talk About Creating Space for Every Collaborator to Ask ‘Hey, What’s My Voice?’
Quinta Brunson and her 'Abbott Elementary' writers discussed the process of developing new voices at IndieWire's 'Pass the ...
‘Gazer’ Review: A Mother’s Dyschronometria Hides Her Own Ticking Clocks in a Brilliantly Paranoid Debut
Ryan J. Sloan's directorial debut 'Gazer' is a clever thriller that wears its influences on its sleeve while still finding ...
The Demi Moore Comeback Is Here with ‘The Substance’: ‘This Was a Part of Waking Myself Up’
Cannes: Demi Moore talks to IndieWire about 'The Substance' and why she had to take a step back and 'question' if Hollywood ...
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Richard Linklater Raves Paul Mescal ‘Really Can Sing’ While Filming ‘Merrily We Roll Along’
Linklater is adapting the Stephen Sondheim musical across two decades, with Mescal playing the composer character Franklin ...
At Cannes, the Most Powerful Woman in Hollywood Spoke Candidly About the State of the Industry
She’s one of the Hollywood executives who knows talent and how to make good, commercial movies. She’s kept the “Fast and the ...